Datacode is back with FOCUS: Techno Synths, a collection of 120+ essential synth lead, stabs and arp elements you can use as the foundation of your tracks! Datacode FOCUS: Techno Synths is an essential tool…
Not so long ago these five producers were at the forefront of hip-hop and R&B, behind countless chart-topping hits and defining the sound of their era’s. In this post we look at these once-unstoppable hitmakers…
Code Sounds is back with Sunset Chill Trap, a collection of over 180+ Chill Trap sounds you can use as the foundation of your tracks! Code Sounds is proud to present Sunset Chill Trap! An…
Datacode is back with FOCUS: Techno Drums, a collection of 220 essential drums and percussion elements you can use as the foundation of your tracks! Datacode presents “FOCUS” our latest sample series which aims to…
Making and producing music has never been as accessible as it is today. The rise of web-based digital audio workstations (DAWs) has given anyone with an internet connection the ability to create music without having…
Catch The Rhythm is back with Jazz House: Organic Grooves & Soulful Loops, a collection of 80 jazz with groovy house vibes you can use as the foundation of your tracks! Introducing JAZZ HOUSE: Organic…
Catch The Rhythm is back with Echoes: Afro & Tribal House Elements, a collection of over 140 Afro & Tribal House sounds you can use as the foundation of your tracks! Catch The Rhythm presents…
In a recent interview, DJ Mustard shared that it took him just 30 minutes to create the beat for Kendrick Lamar’s “Not Like Us.” That got us wondering—what other iconic hip-hop beats were made in…
The key to effective beatmaking is to establish a slick and organised workflow. The less time spent on technical distractions, the more you can focus on creativity and sound. Since drums form the backbone of…
Beatmaking isn’t just about technical skills or musical expertise—it’s also about mindset and workflow considerations. The way you approach music production can have a huge impact on your growth as a producer. So, in this…
