{"id":1825,"date":"2021-08-26T11:00:00","date_gmt":"2021-08-26T11:00:00","guid":{"rendered":"https:\/\/mixxed.com\/blog\/?p=1825"},"modified":"2022-09-22T11:41:52","modified_gmt":"2022-09-22T11:41:52","slug":"what-are-lfos-and-how-to-use-them","status":"publish","type":"post","link":"https:\/\/create.routenote.com\/blog\/what-are-lfos-and-how-to-use-them\/","title":{"rendered":"What Are LFOs and How to Use Them"},"content":{"rendered":"\n

We’re back once again with more music production tips & tricks.<\/p>\n\n\n\n

You’ve caught synthesis<\/a><\/strong> syndrome, and your next hill to climb is the world of LFOs<\/strong>.<\/p>\n\n\n\n

We’ve covered LFOs before<\/strong>, but not in great detail<\/strong>. It’s fabulous that you’re here because your sound design is about to reach the next level<\/strong>!<\/p>\n\n\n\n

What is an LFO?<\/h2>\n\n\n\n

An LFO<\/strong> (low-frequency oscillator<\/strong>) is used <\/strong>to modulate <\/strong>the movement of a chosen parameter <\/strong>inside a synth<\/strong>. All synths have at least one LFO tool<\/strong>. <\/p>\n\n\n\n

You’ll remember from our Define Synthesis<\/a><\/strong> series that an oscillator outputs a repeating signal <\/strong>of a waveform <\/strong>within the range of human hearing<\/strong>. If the signal is repeating <\/strong>at a rate of 700 times per second<\/strong>, the frequency you’re hearing <\/strong>is 700Hz<\/strong>. <\/p>\n\n\n\n

LFO’s<\/strong> are different <\/strong>because they usually repeat <\/strong>at rates below 20Hz<\/strong>, which is the threshold <\/strong>of human hearing<\/strong>.<\/p>\n\n\n\n

However, we can hear <\/strong>the LFO <\/strong>doing its thing because it’s not controlling the rate <\/strong>at which you’re hearing the source signal (but you can set the LFO up to do so)<\/strong>. LFO’s <\/strong>are used to control other parameters <\/strong>on a synth<\/strong>, including the likes of the pitch <\/strong>of the signal oscillator <\/strong>which gives us a vibrato effect<\/strong>.<\/p>\n\n\n\n

\"\"
Serum LFO, Source: xFer<\/figcaption><\/figure><\/div>\n\n\n\n

How to Use an LFO<\/h2>\n\n\n\n

For an LFO to work, we have to route its signal <\/strong>to the parameter(s)<\/strong> we want it to modulate<\/strong>.<\/p>\n\n\n\n

If you wanted your Serum wavetable<\/strong><\/a> to rotate automatically <\/strong>and play the different tones <\/strong>that the soundwave offers<\/strong>, an LFO <\/strong>is how <\/strong>you can modulate that movement<\/strong>.<\/p>\n\n\n\n

Therefore, knowing <\/strong>what the LFO parameters do <\/strong>and also knowing where to put <\/strong>your LFO <\/strong>for the best effect <\/strong>are important foundations <\/strong>for you to be aware of.<\/p>\n\n\n\n

Here’s a breakdown <\/strong>of what the different controls <\/strong>on an LFO do<\/strong>.<\/p>\n\n\n\n

LFO Rate<\/h3>\n\n\n\n

The Rate <\/strong>parameter controls how fast <\/strong>your LFO <\/strong>is going to oscillate<\/strong>. <\/p>\n\n\n\n

Low frequency <\/strong>is usually spoken of <\/strong>as somewhere below <\/strong>the threshold <\/strong>of human hearing<\/strong>, which is 20Hz <\/strong>(20 cycles per second<\/strong>). <\/p>\n\n\n\n

A popular setting <\/strong>to create a vibrato motion <\/strong>is 6Hz <\/strong>(6 cycles per second<\/strong>). A common setting <\/strong>for LFOs <\/strong>is usually 10Hz<\/strong>, which is 10 cycles per second <\/strong>– but you figured that out already.<\/p>\n\n\n\n

The rate of oscillation<\/strong>\/modulation <\/strong>that you use depends <\/strong>on what it is you want for your sound<\/strong>. Are you creating a rising SFX<\/strong>? You may want a 4 bar rise<\/strong>, an 8 bar <\/strong>or maybe even a 12-16 bar rise<\/strong>!<\/p>\n\n\n\n

However, if you didn’t want to create your own risers, Mixxed<\/a><\/strong> has plenty for you to choose from.<\/p>\n\n\n\n

LFO rate is how you make that happen. <\/strong><\/p>\n\n\n\n

On any LFO <\/strong>that you use, at least every LFO that I have used, <\/strong>has pre-determined rates <\/strong>of oscillation<\/strong> that you can choose from. <\/p>\n\n\n\n

Here is a list of standard oscillator rates <\/strong>that you will <\/strong>or would have seen <\/strong>when you use an oscillator<\/strong>. Note that the ratio breaks down like this<\/strong>:<\/p>\n\n\n\n

1\/1 – 4 beats<\/strong><\/p>\n\n\n\n

1\/2 – 2 beats<\/strong><\/p>\n\n\n\n

1\/4 – 1 beat<\/strong><\/p>\n\n\n\n

1\/8 – half beat<\/strong><\/p>\n\n\n\n

1\/16 – quarter beat<\/strong><\/p>\n\n\n\n

Note that the 1 <\/strong>(left of the ratio<\/strong>) represents a whole note<\/strong>. A whole note <\/strong>can be broken down into 4 singular beats<\/strong>, which can be broken down even further<\/strong>.<\/p>\n\n\n\n

\"\"
Breakdown of a whole note, Source: Steam-Education <\/figcaption><\/figure><\/div>\n\n\n\n

So, 1\/2 would be 2 beats<\/strong>. This means that the LFO <\/strong>would oscillate two times <\/strong>per bar<\/strong>. If you had a 1\/16 rate<\/strong>, it would oscillate 16 times per bar<\/strong>. <\/p>\n\n\n\n

\"\"
Vital LFO, Source: Vital<\/figcaption><\/figure><\/div>\n\n\n\n

You aren’t limited to such quick rate times, though.<\/p>\n\n\n\n

You can also set the rate to 2\/1<\/strong>, or 4\/1<\/strong>, or 8\/1<\/strong>…. and more!<\/p>\n\n\n\n

With these longer ratios<\/strong>, the LFO <\/strong>will oscillate once <\/strong>over how many bars <\/strong>(on the right of the ratio<\/strong>) you set<\/strong>. <\/p>\n\n\n\n

LFO Waveforms<\/h3>\n\n\n\n

LFOs <\/strong>are waveforms <\/strong>that repeat periodically<\/strong>. How fast <\/strong>they repeat <\/strong>is based on the rate<\/strong>, but the shape of the movement <\/strong>is set by the waveform <\/strong>that you pick<\/strong>.<\/p>\n\n\n\n

The most common waveforms <\/strong>are Sine<\/strong>, Triangle<\/strong>, Sawtooth<\/strong>, and Rectangle<\/strong>… just like signal oscillators<\/strong>. <\/p>\n\n\n\n

Note that there are many shapes <\/strong>in different oscillators<\/strong>, but they’re all based on these four waveforms<\/strong> at their heart<\/strong>. In many synths<\/strong>, the waveforms <\/strong>can be morphed <\/strong>and\/or combined <\/strong>to create hybrid waveforms<\/strong>. This allows you to create sounds <\/strong>with unique movement<\/strong>, and who wouldn’t want that<\/strong>?<\/p>\n\n\n\n

LFO Intensity<\/h3>\n\n\n\n

You can also control <\/strong>how much impact <\/strong>the LFO <\/strong>has. You’ve set your rate <\/strong>and know what shape <\/strong>of movement you would like<\/strong>, but now you think the LFO is doing too much<\/strong>. This is why the Intensity\/Amount <\/strong>control is great!<\/p>\n\n\n\n

This parameter gives you control <\/strong>over whether the LFO <\/strong>is exaggerated <\/strong>or subtle<\/strong>. <\/p>\n\n\n\n

Some LFOs<\/strong> have a built-in envelope <\/strong>too. These allow you to control parameters <\/strong>such as the delay <\/strong>and decay time of the LFO<\/strong>, which allows <\/strong>you to add even more shape <\/strong>and character<\/strong>.<\/p>\n\n\n\n

LFO Modes<\/h3>\n\n\n\n

LFOs <\/strong>have different modes <\/strong>too. These make the LFO act differently<\/strong>. Three common modes are:<\/p>\n\n\n\n

Trigger: LFO modulates as soon as a note is played and only stops when the note is released.<\/strong><\/p>\n\n\n\n

Sync: LFO modulation is constant and synced with your DAW.<\/strong><\/p>\n\n\n\n

Envelope: Modulation only happens once, begins and ends only when the note is pressed (like an ASDR envelope).<\/strong><\/p>\n\n\n\n

Polyphonic and Monophonic LFOs<\/h3>\n\n\n\n

Finally, some LFOs offer a choice <\/strong>of a polyphonic <\/strong>or monophonic LFO<\/strong>. <\/p>\n\n\n\n

A polyphonic setting <\/strong>will give each note played <\/strong>its own LFO<\/strong>, so you could have multiple LFOs triggered <\/strong>at the same time<\/strong>. <\/p>\n\n\n\n

If you were to use a monophonic LFO<\/strong>, all notes <\/strong>will go through the same LFO<\/strong>.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

We’re back once again with more music production tips & tricks. You’ve caught synthesis syndrome, and your next hill to climb is the world of LFOs. We’ve covered LFOs before, but not in great detail. It’s fabulous that you’re here because your sound design is about to reach the next level! What is an LFO? An LFO (low-frequency oscillator) is used to modulate the movement of a chosen parameter inside a synth. All synths have at least one LFO tool. You’ll remember from our Define Synthesis series that an oscillator outputs a repeating signal of a waveform within the range…<\/p>\n","protected":false},"author":3,"featured_media":1828,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18,19,17,323],"tags":[501,502,261,499,498,497,500],"class_list":["post-1825","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-money","category-music-creation-tools","category-music-sampling","category-tutorial","tag-how-to-use-lfo","tag-how-to-use-lfo-tool","tag-mixxed-com","tag-what-does-an-lfo-do","tag-what-does-lfo-stand-for","tag-what-is-an-lfo","tag-why-use-lfo"],"acf":[],"yoast_head":"\nWhat Are LFOs and How to Use Them - RouteNote Create Blog<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/create.routenote.com\/blog\/what-are-lfos-and-how-to-use-them\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"What Are LFOs and How to Use Them - RouteNote Create Blog\" \/>\n<meta property=\"og:description\" content=\"We’re back once again with more music production tips & tricks. 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