{"id":2180,"date":"2021-09-16T09:03:01","date_gmt":"2021-09-16T09:03:01","guid":{"rendered":"https:\/\/mixxed.com\/blog\/?p=2180"},"modified":"2022-09-22T11:32:03","modified_gmt":"2022-09-22T11:32:03","slug":"origin-history-of-sampling","status":"publish","type":"post","link":"https:\/\/create.routenote.com\/blog\/origin-history-of-sampling\/","title":{"rendered":"Origin of Sampling: History of Sampling Music"},"content":{"rendered":"\n

To quote The Jimmy Castor Bunch: what we’re gonna do right here is go back. Way back. Back into time…<\/p>\n\n\n\n

The earliest traces of sampling music and spoken word goes back to the 1940s. An experimental musical genre known as musique concr\u00e8te, or concrete music, gained more and more traction at this time through it’s use of recorded sound as a “raw material”.<\/h2>\n\n\n\n

As our time train choo choos on and on into the 1950s and 60s, we begin to see these new sampling<\/span><\/a><\/strong> techniques seep into commercial music with recording legends such as The Beatles <\/a><\/span><\/strong>& Marvin Gaye<\/a><\/span><\/strong> using them.<\/p>\n\n\n\n

Recording artists began “copying and pasting” segments of other tracks and spoken word mediums into their own music to create what you could call a collage of sound. <\/p>\n\n\n\n

“The Flying Saucer”, released in 1956, by Buchanan & Goodman<\/a><\/strong><\/span> is a great example of some very early sampling. <\/p>\n\n\n\n

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