Behringer, known for their controversial recreations of classic music gear, is stirring excitement again. This time, they’ve hinted at a potential remake of the iconic E-mu SP1200. A recent post on their Facebook page invited fans to suggest additional features they’d like to see in the updated version.

The FB post that sparked all the reaction

SP1200’s Classic Status

The SP1200, a sampling drum machine synonymous with hip-hop production. It debuted in 1987 and quickly became the cornerstone of 90s boom-bap hip-hop production. Despite its modest 10-second sampling time, legendary producers like Pete Rock and Large Professor managed to create full intricate hip-hop classics with this machine, adding to its iconic status.

For more on the SP1200 and other iconic music gear check out this post

Demand

The SP1200 has become a mythologized piece of gear, with prices for clean, working examples exceeding $4,000. This demand hasn’t escaped Behringer’s attention. Known for cloning classics like the Roland 808, 303, and Minimoog, Behringer now promises a sub-$500 version of the SP1200.

Although alternatives like the Isla Instruments S2400 and the Rossum reissue of the original SP1200 exist, these options come with hefty four-figure price tags. Judging by the reactions to Behringer’s post, there’s a wave of eager producers ready to open their wallets for an affordable option.

The Isla Instruments S2400

User Suggestions

Behringer’s Facebook post invited users to suggest features for the potential SP1200 clone. Unsurprisingly, the top request was for more sample time, closely followed by calls for improved storage solutions. While Behringer is known for staying true to the original designs, it’s doubtful they’ll bring back the 3.5” floppy disk!

Another hot topic was the type of pads to include. Some users favoured MPC-style rubber pads, while others—and even Behringer themselves—argued for the clunky plastic buttons that were a hallmark of the original SP1200.

Over all the general consensus seems to be don’t mess with the original sauce and keep the unit as close to the feel of the original as possible.

Behringers Balancing act

It was only a matter of time before Behringer turned their attention to one of the most sought-after samplers in music history. For aspiring boom-bap producers who can’t afford the steep price of an original, a Behringer clone could be a dream come true.

But will it truly satisfy purists? Having produced music on both the SP12 and SP1200 during the ’90s, I can vouch for the charm of its gritty 12-bit sound—but also its limitations. In today’s digital era, software emulations like Inphonik’s RX1200 come remarkably close to the SP1200’s sound and workflow for a tiny fraction of the cost. For more details, check out this post.

The inphonik RX1200 in the box SP1200 solution

For many producers, owning an original E-mu SP1200 isn’t just about the sound—it’s about the heritage. Like a classic sports car or an old painting, the SP1200 offers a tangible piece of music history. No matter how accurate Behringer’s clone might be, it will certainly lack the magic of the original.

Conclusion

Still, for 90s-obsessed, boom bap producers who prefer working outside the box, Behringer’s SP1200 clone might just be the perfect tool. We’ll just have to wait and see if Behringer can strike the delicate balance between affordability, authenticity, and modern practicality – while still keeping it sexy.

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